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  • BLOG HOME
  • About
    • Author Profiles
    • Five Things You Need to Know About the Library
    • Cinq choses à savoir sur la bibliothèque
  • Collections
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    • Cinq choses à savoir sur la bibliothèque

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    Canada’s Copyright Act at 100

    by Guest Author August 13, 2024
    written by Guest Author

    In light of the centennial of Canada’s Copyright Act, we asked Adrian Sheppard, Director of the University of Alberta Copyright Office, to share his reflections and thoughts in this post. 

    As a reminder, you can find more information about the array of Copyright services and resources for University of Alberta faculty, staff and students on the Copyright Office website.   For a deeper dive, check out the Opening Up Copyright Instructional Modules. For specific questions relating to copyright, contact the Copyright Office staff.

    Canada’s Copyright Act at 100

    Adrian Sheppard, Director of the University of Alberta Copyright Office

    I was recently reminded that 2024 is the centennial of Canada’s Copyright Act. In 1921, Parliament passed Canada’s first Copyright Act11, which came into force in 1924. I took a look at the historical statute to see whether perspectives on copyright have changed over the last century.

    The current perspective on the Copyright Act, at least as interpreted by the Supreme Court of Canada, is probably best characterized in the Theberge decision in 2002. 

    The Copyright Act is usually presented as a balance between promoting the public interest in the encouragement and dissemination of works of the arts and intellect and obtaining a just reward for the creator…. (para. 30)

    What does the original version of the Act reveal about how this perspective of copyright law maintaining such a balance was demonstrated in 1924?

    Today, “fair dealing” plays a central role in maintaining the balance between creator rights and user rights in copyright. It appears to have played a similar role from the outset. The 1924 version is explicit that “any fair dealing with any work for the purposes of private study, research, criticism, review or newspaper summary” does not constitute an infringement of copyright. In today’s Copyright Act, the wording around fair dealing, and its role, remain largely unchanged.

    I was also interested to discover how the historical Act dealt with the use of copyright-protected materials by educational institutions. The 1924 version allowed for “the publication of a collection…intended for the use of schools…of short passages from published literary works…in which copyright persists.” (s.16(1)(iv)). Although what is explicitly permitted under this 1924 provision is very different from what can lawfully be distributed to students under fair dealing today, it demonstrates that, even in the 1920s, making copyright-protected materials available in a limited way for the use of students at educational institutions was considered important to the public interest.

    One contemporary concern regarding the copyright balance is ensuring copyright-protected works remain available to the public after they are no longer commercially available. The section on “Compulsory Licenses” (s. 12 in the 1924 version of the Act) addresses a similar concern.

    In 1924, under the Compulsory Licenses provision, at any time after the death of the author, if a copyright holder had been withholding a previously published work from the public, “the owner of the copyright may be ordered to grant a license to reproduce the work” subject to reasonable terms and conditions. There can be little doubt that this provision from 1924 is intended to protect the public interest in the dissemination of works, thereby maintaining the copyright balance. The related provision in the current Act applies only in cases where the copyright owner cannot be located (s. 77), although it can apply during the lifetime of the author.

    Much has changed in the world of copyright in the past 100 years, however, the examples offered here from the 1924 version reinforce the idea that balancing the interests of creators with the broader public interest has been a foundational perspective for copyright in Canada. The importance of continuing to fight the battle to safeguard the public’s interest in access to protected content has never been greater.

    1. The Copyright Act, 1921.
      ↩︎

    Many thanks to Adrian Sheppard, Director of the University of Alberta Copyright Office, for authoring this post.

    La traduction française de cet article est disponible ici.

    Thanks for the read! Love us on the blog? Chances are, you’ll love us on social media! Follow us, @uofalibrary on Instagram & X (Twitter)!

    This content is licensed under a CC BY-NC-SA 4.0 Creative Commons licence.

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  • Explorer nos collections : Lectures de loisir en sciences, technologie, ingénierie et mathématiques

    by Elisabet Ingibergsson July 8, 2024
    by Elisabet Ingibergsson July 8, 2024

    Parcourir les rayons de la bibliothèque de l’Université de l’Alberta peut être un peu compliqué. Nous avons huit bibliothèques réparties sur quatre campus pour vous servir! Vous cherchez par où commencer ? Aujourd’hui, nous présentons des livres de lecture de loisir dans les domaines des sciences, de la technologie, de l’ingénierie et des mathématiques (STIM).  Dans le monde des sciences, de la technologie, de l’ingénierie et des mathématiques (STIM), lire signifie souvent…

  • Browsing our Collections: Leisure Reading in STEM

    by Elisabet Ingibergsson July 8, 2024
    by Elisabet Ingibergsson July 8, 2024

    Browsing the library shelves at the University of Alberta Library can be a fairly daunting process. We have eight library locations spread across four campuses! Where to begin? Today we are taking a look at leisure reading books from the Sciences, Technology, Engineering and Mathematics (STEM) fields. In the world of Science, Technology, Engineering, and Mathematics (STEM), reading often means tackling dense, technical texts. However, there’s a growing collection of lighter, more accessible STEM…

  • NEW Fall 2024 Pilot: Mediated Course Materials Service

    by Guest Author June 26, 2024
    by Guest Author June 26, 2024

    Do you want to make your course materials available for your students through the University of Alberta Library, but have not had time to learn and use our Talis Aspire system? We know you have a lot on your plate and we want to help. Please try out our Mediated Course Materials Service!  We will pilot this service for instructors to have reading lists created in Talis Aspire by the Course Materials…

  • Nouveau projet pilote pour l’automne 2024 : Service de matériel de cours assisté

    by Guest Author June 26, 2024
    by Guest Author June 26, 2024

    Vous souhaitez mettre vos matériels de cours à la disposition de vos étudiants par l’intermédiaire de la bibliothèque, mais vous n’avez pas eu le temps d’apprendre et d’utiliser notre système Talis Aspire ? Nous savons que vous avez beaucoup à faire et nous voulons vous aider. Nous vous invitons à essayer notre service de médiation de vos matériels de cours !  Nous allons piloter ce service pour que les instructeurs aient des…

  • 2023/2024 Academic Year – Library Wrap Up – Part 2

    by Meghan Staal June 24, 2024
    by Meghan Staal June 24, 2024

    We are thrilled to keep shining a spotlight on the accomplishments of our exceptional colleagues at the University of Alberta Library! This second part of our library wrap-up further demonstrates our team’s commitment to delivering outstanding services and collections that meet the complex information needs of the U of A community. Our instructors, including subject librarians, librarians and library staff, teach undergraduate and graduate students across all the U of A Colleges…

  • Profil du personnel : Rencontrez Jessie Loyer !

    by Eva Romanick June 5, 2024
    by Eva Romanick June 5, 2024

    Bienvenue à notre célébration du Mois de l’histoire autochtone ! Un objectif stratégique important de la Bibliothèque est d’intégrer les modes de connaissance autochtones dans les services et les espaces, en s’appuyant sur les étudiants, les enseignants et les communautés autochtones. En juin, notre série de blogs mettra en lumière les peuples autochtones, en se penchant sur leur riche histoire et en honorant leur héritage durable. Rencontrez notre nouvelle bibliothécaire autochtone, Jessie…

  • Staff Showcase: Jessie Loyer

    by Eva Romanick June 4, 2024
    by Eva Romanick June 4, 2024

    Welcome to the Library’s celebration of Indigenous History Month! An important strategic goal for the Library is to incorporate Indigenous ways of knowing into services and spaces, guided by Indigenous students, faculty, and communities. This June, our blog series will spotlight Indigenous Peoples, delving into their rich histories and honoring their enduring legacies. Meet our new Indigenous Engagement Librarian, Jessie Loyer! Jessie joined our Library as Indigenous Engagement Librarian in March 2024.…

  • 2024 Images of Research Winners

    by Junelle Mah May 31, 2024
    by Junelle Mah May 31, 2024

    On behalf of the University of Alberta Library and the Faculty of Graduate & Post Doctoral Studies, we are pleased to announce the winners of the 2024 Images of Research (IOR) competition. It was a great year for submissions with 75 eligible entries. This was also the first year in the competition’s seven-year history that the use of AI generated images were accepted. Congratulations to all participants on their hard work. You…

  • Mois du patrimoine asiatique : Célébration du cinéma asiatique

    by Elisabet Ingibergsson May 7, 2024
    by Elisabet Ingibergsson May 7, 2024

    Quelle meilleure façon de se plonger dans le Mois du patrimoine asiatique qu’à travers l’objectif captivant du cinéma asiatique ? Voici une sélection de films qui mettent en valeur ou sont créés par la communauté asiatique. Alors, prenez votre pop-corn et rejoignez-nous pour un voyage cinématographique.  Office national du film (ONF) Découvrez la sélection de films du ONF sur les communautés asiatiques et leurs histoires racontées par des cinéastes d’origine asiatique. Cette…

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